El cine por los oídos, episode 112: Interview with Nicholas Britell (in english!)

(¡Edición en Español aquí!)

We are back with an English special edition of our podcast!! It is very special for us to share with you an interview with one of the most promising film composers at the moment: Nicholas Britell.

With two Academy Awards nominations already (Moonlight and If Beale Street could Talk) and an EMMY for his main title music for Succession, Britell talks about his collaboration with directors Barry Jenkins and Adam McKay as well as giving clues of how he develops his music on every new project.

As this interview was recorded via Skype, we had to re-record every Juan Carlos Jiménez question for a much better final result. We also have an edition of this podcast in spanish language, translating every single line spoken by Britell. You can listen the spanish version here.

We are very pleased with Nicholas Britell, his generosity and his time. Be ready to know more about his film music. Below you have the track titles of every single piece you hear in this podcast. If you want to contact with us, please write via FacebookTwitteremail or Instagram@cineXoidos

1. “Battle of the Sexes – March” de Nicholas Britell para “La Batalla de los Sexos” (Battle of the Sexes, 2017).

2. “End Credits Suite” de Nicholas Britell para “Moonlight” (2016).

3. “Chiron’s Theme Chopped & Screwed (Knock Down Stay Down)” de Nicholas Britell para “Moonlight” (2016).

4. “The Middle of the World” de Nicholas Britell para “Moonlight” (2016).

5. “Hypertension” de Nicholas Britell para “El Blues de Beale Street” (If Beale Street Could Talk, 2018).

6. “Ye Who Enter Here” de Nicholas Britell para “El Blues de Beale Street” (If Beale Street Could Talk, 2018).

7. “Jezebel” de Nicholas Britell para “El Blues de Beale Street” (If Beale Street Could Talk, 2018).

8. “Redemption at the Roulette Table” de Nicholas Britell para “La Gran Apuesta” (The Big Short, 2015).

9. “Mouseclick Symphony Mvmt 1” de Nicholas Britell para “La Gran Apuesta” (The Big Short, 2015).

10. “The Lineman In E-Flat Minor” de Nicholas Britell para “El Vicio del Poder” (Vice, 2018).

11. “Master Of The Switchblade” de Nicholas Britell para “El Vicio del Poder” (Vice, 2018).

12. “Taking Over The Damn Place” de Nicholas Britell para “El Vicio del Poder” (Vice, 2018).

13. “The Iraq War Symphony” de Nicholas Britell para “El Vicio del Poder” (Vice, 2018).

14. “Succession (Main Title Theme)” de Nicholas Britell para “Succession” (2018).

15. “Song of Hal: Strings in C# Minor” de Nicholas Britell para “El Rey” (The King, 2019).

16. “Eden (Harlem)” de Nicholas Britell para “El Blues de Beale Street” (If Beale Street Could Talk, 2018).

Deja un comentario

Tu dirección de correo electrónico no será publicada. Los campos obligatorios están marcados con *